Top
Work by Sanghyun Koh: wall sculpture of thin curved strips radiating outward from the center in a symmetrical, eye-like pattern.
Work by Sanghyun Koh: two overhead views of a person drawing concentric square and radiating line patterns with black and white thread or marks.
Work by Sanghyun Koh: a brown cockroach on a dark window ledge, with city buildings blurred in the glass behind.
Work by Sanghyun Koh: spotlit curved mound of small dark and colorful objects arranged on a black floor.
Work by Sanghyun Koh: installation view of a gray gallery with white pedestals and cases holding small objects, a blue sphere, and a plant.
No items found.

How can I own the universe? Reflecting on each capacity, capability and threshold value of myself, it is an unreachable destiny and improbable dream. Sanghyun Koh tries to embrace various components of the universe all at once in his pieces of art, constantly observing his physical boundaries. Koh’s paranoia to grasping totality of the world engages scientific sources. He considers “science” is one of the most plausible belief systems in the human community which dares to describe the universe in a so-called objective frame. Koh tests the unfilled gap of axiomatic mythology in science. He is willing to fall into naturalistic fallacy while injecting allegorical values into neutral objects, and his work remains as logically defective products.

Sanghyun Koh is a sculptor and art experimenter who was born in Seoul, Korea and currently lives and works in the United States. He focuses on how to grasp the totality and complexity of the world and how humanity can be estimated. He completed a BFA and an MFA in sculpture from Seoul National University, and also holds another MFA from the Rhode Island School of Design.

Sanghyun Koh's residency at NARS is made possible by Arts Council Korea.

Arts Council Korea logo: overlapping rounded shapes in green, blue, yellow, pink, and gray beside the name in black capitals.

Read more

Learn more about the Curatorial Fellowship