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Jisoo Chung, Ghurba, 2026: collage of a hand holding a transparent document under a brass magnifying lens, over layered purple-toned papers and photos.
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International Residency

Jisoo Chung

Image: Jisoo Chung, 'Ghurba', 2026.

Jisoo Chung, 'How Did Bahash Become Amber', 2025, 4 channel video installation, dimensions variable. Image description: Installation view of a dark room with a glass floor and illuminated panels showing magnifying-lens imagery, surrounded by glowing screens.
Jisoo Chung, 'How Did Bahash Become Amber', 2025, 4 channel video installation, dimensions variable. Image description: Installation view of glowing screens and lightboxes on brass-framed stands over a glass floor, before a projected portrait of a face in profile.
Jisoo Chung, 'Ghurba', still image, single channel video, 2026, 18min. Image description: Video still of a man in profile seen through hanging translucent sheets printed with gray passport-style stamps.
Jisoo Chung, 'Moonlight', 2021-2022, UV blacklight, paraffin wax, detergent, fish oil, turmeric. Image description: A dark room bathed in violet UV light, filled with a cluster of lamps, lampshades, and stands holding small glowing pale objects.
Jisoo Chung Our Oily and Lush Vitality 2026. Photographed by Max Yawney.,. Image description: Two round tables draped in white cloths, one holding a cluster of wine glasses filled with pale liquid, the other a black cast-iron skillet.
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Jisoo Chung is a multimedia artist who examines failures in language—mistranslations, autocorrections, and linguistic omissions—to trace the sociocultural power embedded in language and names.

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Jisoo Chung is a Korean artist who relocated to the United States. She traces failures in language, such as mistranslations, auto-corrections, and linguistic omissions, to track the sociocultural power constructed in language and names. Navigating through video, installation, drawings, and performance, her work is an act of searching for the loss of cultural identity. Mistranslations and omissions: These linguistic glitches create humor that reveals the gaps in language’s power and opens up the possibility of reevaluating language's role in forming a sense of self. The limited voice of a female in the patriarchal society of Korea and an Asian in the Western hegemony in America motivates me to investigate the invisibility of women and diaspora immigrants through a linguistic lens. A place where language hierarchy reveals social hierarchy, a place where linguistic failures evoke the loss of cultural identity, is where her works begin.

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Chung is a nominee for the United States Artists Fellowship, a fellow of the MacDowell Residency, and she has received grants from the LACE Lightning Fund (Andy Warhol Foundation), the Puffin Foundation, the Seoul Arts and Culture Foundation, and Jungwoon Prize at the Seoul International Experimental Film and Video Festival, among others. Chung holds an MFA from the University of California, Los Angeles, and a BFA from Seoul National University. She served on the production committee at GYOPO, is co-founder and educator at Drawwing Cabinet, and is currently an adjunct faculty member at Bakersfield College. She lives, works, and teaches in Los Angeles.

Learn more about the Curatorial Fellowship