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Work by Woojae Kim: white gallery with a drum kit of traditional rope-tied drums and cymbals, speakers, and dark trunks on a tiled floor.
Work by Woojae Kim: stack of seven rusty copper discs on a central rod, topped with a stone, on a charred wooden box.
Work by Woojae Kim: long earthy trough with sprouting seedlings, hung with mauve beaded strands, on a windowsill.
Work by Woojae Kim: dome-shaped, rough brown clay vessel with a flat lid and a stone on top, resting on a teal rug.
Work by Woojae Kim: white plastic jugs linked by clear tubes, stacked and standing on a gray floor with a few photographs scattered nearby.
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Woojae Kim combines his research on biology with somatic experiences. He is currently learning about fire ecology and the histories and relationships between living creatures and the land. Through words used in both scientific and cultural discussions — such as colonization, control, and diversity — he observes how we relate to one another and to non-human entities.

Woojae Kim (b. 1990, Seoul, Korea) is a Korean artist and writer living on the unceded territories of the Sḵwx̱wú7mesh, Musqueam, and Tsleil-Waututh peoples (Vancouver, Canada). His works explore rituals of interdependency and listening to inaudible frequencies of relationships with non-humans and the land.His work has recently been exhibited at Artspeak, Access Gallery in Vancouver, and Dreams Comma Delta in Ladner. His texts were published in the Canadian Art and the Capilano Review. Kim received an MFA from Milton Avery Graduate School of the Arts at Bard College. He was longlisted for the Sobey Art Award 2023.

Woojae Kim’s residency at NARS is made possible by the Canada Council for the Arts.

Conseil des arts du Canada, Canada Council for the Arts logo, with a black stylized tree emblem and the bilingual name in blue.

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