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Work by Umico Niwa: wheeled table sculpture with looping beaded wires and small found objects, in a bright wood-floored gallery.
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International Residency

Umico Niwa

Work by Umico Niwa: wheeled table sculpture with looping beaded wires and small found objects, in a bright wood-floored gallery.
Work by Umico Niwa: small white house-shaped model made of lacy, web-like plastic, with a cockroach on its roof.
Work by Umico Niwa: clay model of a winding, many-roomed building with round windows and small objects inside, on a gray floor.
Work by Umico Niwa: a creature-like form of wood, fruit, and plant stems with a yellow head and spiky horns, resting on a white stone surface.
Work by Umico Niwa: diagram with a webcam photo of a person, a plant illustration, and a 3D box with a branching form, leading to a plant on black, with Japanese text.
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Niwa’s practice explores the way Western notions of personhood subsume human life into constructs of sexuality and gender, overlooking the various other modes of unbridled existence: plant, microbial. fungal, animal, celestial bodies. Her speculative medical papers propose novel forms of body modification to combat gender dysphoria as well as playfully explore the possible efficacy of including fecal matter transplants as part of hormone replacement therapy for transgender individuals.

Umico Niwa (b. 1991, Japan) received her MFA in Sculpture + Extended Media from the Virginia Commonwealth University, Richmond, in 2020. Rejecting Western notions of personhood, Niwa considers alternative modes of existence unbridled by bodily-restrictions or gender constructs. Her creations speak to a state of being defined by perpetual movement - a flower, wilting; a fruit ripening. A seed vault, a genetic sequence, a sensorium, a somatic memory bank. A valley full of weeds, bursting with life.

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