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Work by Tina Lam: a person in black moves in front of a large translucent white sculpture on a lawn, with evergreen trees behind.
Work by Tina Lam: dark, faceted black sculpture lying across a gray rock face in a wooded area.
Work by Tina Lam: charred black tree stump with a branch, suspended by many thin wires from ceiling tracks in a gallery.
Work by Tina Lam: freestanding sculpture of crumpled translucent white paper on a frame of thin dark branches, on a pale wood floor.
Work by Tina Lam: hundreds of thin black strands hang from the ceiling of a gallery, gathering in a dense tangle above the floor.
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Since youth, Tina Lam has been fascinated and perplexed by the mysteries of the natural world. Venturing into unfamiliar natural environments, she carries industrial materials which she reunites with natural entities. During these excursions, she ponders on the interplay between the Self (the individual, human and human-made) and the Other (beyond the individual and human), musing on notions of transformation, interaction, cosmology, mysticism and metamorphosis. Her land-art interventions, multimedia installations, and performances are meditations on humanity’s entanglement with the unknown and the mystical.

Tina Lam was born in Montréal, Canada, and raised in urban regions by Cambodian-Chinese refugees. She is a graduate of Cornell University (MFA), Concordia University (BFA) and McGill University (PhD). She has attended residencies including Shandaken: Storm King (2022), Cold Willapa Bay AIR(2023), Spring Harbor Laboratories (2023) and the Carving Studio & Sculpture Center (2024).

Tina Lam’s residency at NARS is made possible by the Canada Council for the Arts.

Conseil des arts du Canada, Canada Council for the Arts logo, with a black stylized tree emblem and the bilingual name in blue.

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Learn more about the Curatorial Fellowship