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Work by Sangmin Lee: pale wooden frames of different sizes assembled in a white gallery, with small silver and white sculptures hanging and resting inside.
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International Residency

Sangmin Lee

Still lives in transition (Nostalgia without memory III), 2024, Rebar tie-wire, joint compound, printer paper, ink, and inkjet transfers, 44 x 21 x 12 feet. Image description: Installation view of a dim gallery with a wood floor, where strands of small white paper forms hang from the ceiling and pile on the floor.
Still lives in transition (Nostalgia without memory III), 2024, Rebar tie-wire, joint compound, printer paper, ink, and inkjet transfers, 44 x 21 x 12 feet. Image description: A white wall layered with faint lavender and gray printed images of buildings and patterns, with drips running down toward the floor.
Still lives in transition (Nostalgia without memory III), 2024, Rebar tie-wire, joint compound, printer paper, ink, and inkjet transfers, 44 x 21 x 12 feet. Image description: Wire strands hang from above over a heap of white, crumpled, paper-covered forms on a wood floor, casting shadows.
Still lives in transition (Nostalgia without memory III), 2024, Rebar tie-wire, joint compound, printer paper, ink, and inkjet transfers, 44 x 21 x 12 feet. Image description: Installation view of a gallery hung with many vertical strands of small white paper shapes, with a tangle of white forms on the wood floor.
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Sangmin Lee reimagine personal/historical narratives that speculate on the uncertain spaces between past and present. From drywall peaches, performances unfolding architecture, to life-sized Simpsons (cartoon)sculptures, Lee converge seemingly unrelated things to describe stories of fragmentation. Using various materials found in daily life, they create a process of objects that iteratively extend from the slippery ends of their own meaning—becoming a lineage that gradually lose resemblance to one another. A game of broken telephone where new stories emerge.

Here, they make memories into objects and play within the poetic spaces of its impossibility by visually tracing how we extend memories to fill absence, as the lies we tell ourselves and truths beyond recollection.

Their current research focuses on nostalgia without memory, informal digital archives, urban ecologies, and using common materials in unconventional ways.

 

Sangmin Lee is a Korean Canadian artist with a BFA from OCADUniversity and an MFA from Columbia University. They have exhibited nationally and internationally ranging from Osaka, Jeongseon, Paris, New York, Miami,Montreal, Toronto, and Dawson City (Yukon). He is the recipient of the OCADUniversity Project 31 Sculpture/Installation award, with artist grants fromToronto Arts Council, Ontario Arts Council, and Canada Council for the Arts, and residencies at Vermont Studio Center and NAVE Residency in Ecuador. Currently, they are based in New York and a Bronx Museum AIM Fellow.

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