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Work by Rowan Van As: photographic portrait of a person standing in a doorway under a red sign with white text that says "CHANGE", the person is wearing a bright yellow patterned jacket and trousers.
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International Residency

Rowan Van As

Rowan van As, 'Small Talk at the Kruiskade', 2024.

Rowan Van As, Oyster Projection, 2026.Photographed by Max Yawney. Image description: A projector hangs on cables above a pale, rumpled, shell-like form mounted on a white wall, casting a bluish video image into its hollow.
Rowan van As, 'New York Taxi', 2021–ongoing, Functioning sculptural installation (modified vehicle), 197 × 75 × 63 inches. Image description: A battered vintage taxi in silver-gray with black-and-white checkered trim is parked on a busy outdoor market street beside a table of goods.
Rowan van As, 'Dizzy’s Trumpet, 2022, Sculptural installation (mixed media), 98 × 31 × 47 inches. Image description: An oversized trumpet with a white, textured surface and an upturned bell rests on a low base in a yellow-lit brick room, its valves wrapped in colorful labels.
Rowan van As, 'East Village View – Fruit Exchange', 2017, Performance / public installation, 157 × 39 × 118 inches. Image description: Outdoors, a person sits at a fruit stand piled with crates of produce under a red and white sign reading "East Village View Fruit Exchange."
Rowan van As, 'Prins Gold Jewelry', 2024, Charcoal on panel, 79 × 39 inches. Image description: A large gray charcoal drawing of an arched shop window displaying jewelry on busts, with signs reading "Prins Gold" and "Tot 50%."
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Rowan van As creates installations, sculptures, and performances that remix everyday urban life into poetic, surreal gestures, exploring how the individual can propose alternative social moments — small, lived micro-utopias.

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Rowan van As (1991, Goes, NL) is a Rotterdam-based visual artist who creates installations, sculptures, and performances, often as social gestures. He studied at the Willem de Kooning Academy (2010–2014) and earned his MFA at St. Lucas, Antwerp (2015–2016).He draws from everyday urban life, remixing found images and objects into layered, surreal works that shift the meaning of the discarded.Food forms an intuitive part of his later practice — as material and connector. From April to June 2026, he will be in residence in New York, developing a project on the city’s oyster history.His most ambitious project to date is a functioning reinterpretation of a classic yellow cab, which he aims to bring to New York.His work explores the relative powerlessness of the individual, seeking a poetic language that is playful, confrontational, and open to dialogue.

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