Top
Nicholas Rynearson, Untitled (Te Amo 1), 2025: wooden cigar box on a wall holding a square of gold leaf, a dark metal square, and a red thread.
Text Link

International Residency

Nicholas Rynearson

Image: Nicholas Rynearson, 'Untitled (Te Amo 1)', 2025. Cigar box, found objects, gold leaf, embroidery floss, thread, gouache, magnets, 4.25 x 6.5 x 1.5.

Nicholas Rynearson, 'Untitled (Story of Line and Curve series)', 2026. Graphite and colored pencil on paper, 6 x 6. Image description: A small square drawing in bright yellow with olive bands at top and bottom, crossed by one gentle curved line and two horizontal lines.
Nicholas Rynearson, 'Untitled', 2025. Charcoal, found wood slats, dowels, nails, 25 x 21. Image description: A wall work of five vertical pale wood slats with narrow gaps between them, partly covered by a large matte black rectangle.
Nicholas Rynearson, 'Untitled', 2026. Acrylic paint and graphite on canvas, 16 x 12. Image description: A painting in saturated reds with two overlapping curved arcs in deeper crimson crossing the canvas horizontally.
Nicholas Rynearson, 'Untitled (Duck-Rabbit series)', 2026. Graphite and colored pencil on paper, 4 x 4. Image description: A small square drawing in two greens, with a dark vertical band and two half-circle shapes that face away from each other.
No items found.

Nicholas Rynearson is a multi-disciplinary artist, working in assemblage, collage, drawing, and painting, as well as conceptual work.

‍

‍

‍

‍

Read more

Nicholas Rynearson is a multi-disciplinary artist, working in assemblage, collage, drawing, and painting, as well as conceptual work. His work tends toward abstraction, often using a reduced visual vocabulary to focus on formal elements and explore the material qualities of the media he works with. Found objects and non-decorative materials feature prominently and provide parameters within which individual works or series unfold. His work also draws inspiration from careful observation of art history, in particular the movements emerging from and responding to abstract expressionism.

‍
‍
I seek a renewed relationship with nature grounded in mutual respect and an openness to its treacherous beauty. Across painting and time-based media, I consider Black femme engagements with flora, fauna, and geological forms, and build “optimistic imaginaries” that recognize our ecological disconnection while reaching beyond it.

‍

‍

‍

‍

Learn more about the Curatorial Fellowship