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Iran-Israel, Video performance, 2013. Image description: Two people in black dresses stand on a concrete ledge against a blue sky, leaning in with foreheads and palms pressed together, hills behind.
Borderline, Interactive Video Installation, 2014. Image description: Clouds of dust burst from a rocky desert ridge as if from explosions, with barren brown mountains stretching into the hazy distance.
Self Portrait in Palace, Photography-Light Box, 160x120, 2018. Image description: A person in a flowing turquoise dress stands in a long hall of ornate arches and columns painted in teal, gold, and coral, with a reflective floor.
Tea Time, Photo based Installation, 2025. Image description: A long horizontal panel printed with an intricate red, orange, and black carpet pattern hangs on a gallery wall, inset with five small framed images.
Present Perfect, Video Installation, 2017. Image description: Installation view of a darkened gallery with a row of glowing vertical screens along the wall, each showing a portrait of a different person.
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Maya Smira is a multidisciplinary artist working with photography, video, installation, dance, and performance. Her practice explores the relationship between body and landscape, culture and femininity, shaped by geopolitical changes and tensions. Maya investigates global and personal transformations through movement, stillness, and time. Her work merges documentary and staged imagery, using her photographs as raw material for digital collages, videos, and animations. Often performing for the camera, she incorporates simple gestures to merge body and geography, creating symmetrical or fantastical spaces that feel both familiar and futuristic. With minimal camera action and a focus on repetition, her videos mirror photography, unfolding slowly to reveal the social and spatial dynamics between bodies, territories, and technologies.

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