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Lara Marino, Phosphor Over Us, 2025: oil and blood on canvas showing two swirling, distorted figures in white, pink, and blue, one gesturing toward the other's face.
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International Residency

Lara Marino

Image: Lara Marino, 'Phosphor Over Us', 2025, Oil and blood on canvas, 200 × 160 cm

Lara Marino, 'Monsters’ Love Story', 2025, Oil and blood on canvas, Installation view, Space Inspyro, Bandung, Indonesia. Image description: Installation view of three paintings on a concrete wall showing distorted, swirling figures, some embracing or nude, in pinks, blacks, and pale blues.
Lara Marino, 'No limit', 2026. Oil and blood on canvas, 200cm × 160cm. Image description: A large painting of two pale, distorted figures, one with a horse-like head, entwined in swirling bands of white, gray, black, and dark blue.
Lara Marino, 'Text Me When I Am Dead', 2025, Chain, oil, blood, and pen on paper and canvas, Installation view, Espace 28, Lausanne, Switzerland. Image description: Installation view of dozens of small pink and red works on paper hung on chains across a window wall, beside a large painting of distorted figures.
Lara Marino, 'TLK 2 DRNK dn8', 2025, Oil and blood on canvas, 250 × 200 cm. Image description: A large painting of a distorted face and raised hand rendered in rippling strokes of deep blue, black, and white, as if seen through warped glass.
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Through painting, drawing and writing, Lara Marino explores how desire, hunger and domination shape images of the female body.

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Lara Marino explores how desire, hunger and domination shape images of the female body. Working through painting, drawing and writing, she examines the ways bodies are produced, regulated and consumed through social and affective structures. Hunger appears throughout her practice as appetite, lack, obsession and discipline, acting upon the body as much as upon its representation. Working primarily with oil paint, sometimes combined with blood, she develops images through processes of accumulation, alteration and erosion. Figures emerge in unstable states, suspended between construction and collapse. Her work approaches the body and its environment as interdependent sites shaped by control, dependency and destruction.

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Lara Marino (b. 1998, Switzerland) is a visual artist based in Lausanne. She graduated from ECAL – University of Art and Design Lausanne in 2021 and studied at the Gerrit Rietveld Academie in Amsterdam through an Erasmus exchange. After completing her studies, she returned to Indonesia, where she had spent part of her childhood, and worked there for two years while collaborating with local artists and collectives. Her practice has since developed through exhibitions, residencies and research programmes across Europe, Asia and the United States, including the School of Visual Arts in New York and GlogauAIR in Berlin. She is also the co-founder of Espace 28, an independent exhibition space and collective initiative supporting emerging artists in Lausanne.

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