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Work by Kat Chamberlin: thin white neon line on a black background, tracing two sets of three small arches along a low horizontal.
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Exhibition

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International Residency

Kat Chamberlin

Work by Kat Chamberlin: small felted, cream-colored animal head with closed eyes, hanging from a red-brown strap on a white wall.
Work by Kat Chamberlin: hexagonal wooden table frame on a wood floor, with glass vessels holding white liquid hanging from it and metal buckets below.
Work by Kat Chamberlin: row of ten small cream-colored felted forms mounted along a white wall, above a wooden chair with a black cloth.
Work by Kat Chamberlin: wooden cabinet on thin metal legs, with cubbies of glass bottles of milky liquid and folded brown cloths.
Work by Kat Chamberlin: performance in a white gallery under black wall text reading "Without You," with one person reclining on a table and another seated beside a supply cart.
Work by Kat Chamberlin: a fist and forearm against a gray wall, with a small dark dot tattooed on the inner wrist.
Work by Kat Chamberlin: close view of a dark red, bloodied animal ear beside a metal bar. A tag sits in the inner ear.
Work by Kat Chamberlin: several hands pressing and stroking a thick, tan shearling fleece.
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Born in the Netherlands and raised in Turkey, Kat Chamberlin is a Brooklyn-based artist whose work centers on fictions that fill vacuums of historic knowledge, such as legends, conspiracies or supernatural phenomena - as well as the identities that these fictions create. Spanning across drawing, sculpture, installation and video, the work is a response to the trauma of loss, violence, and lack of transparency of everyday life growing up in the country of Chamberlin’s upbringing in Turkey as an Armenian.

Kat Chamberlin’s work has been exhibited across the U.S, internationally, and featured inexhibitions at the Museum of Contemporary Art in Chicago, The Chicago Cultural Center,Barbara and Steven Grossman Gallery in Boston and Gana Art in New York City. Kat completedher Masters in Fine Art at the School of the Art Institute of Chicago and is the recipient of a Jacob K. Javits Fellowship, the Toby Devan Lewis Award and the William Dole Award.

The current series of drawings are based on language creation. Geometric forms protrude from a landscape by means of erasure. The method of removal by erasure speaks to an existing absence and a survivalist need to articulate from a flat graphite void. Mythologies are often born in the absence of evidence, producing ritualistic glyphs.

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