Jungmin Cho, based in Seoul and New York, is the founder and director of WHITE NOISE—an art space and platform in Seoul dedicated to fostering artistic experimentation and building global art communities since its establishment in 2018. Also, as an independent curator, writer, and art advisor, she tries to pose accessible yet critical questions to the world through art. Her current research explores the notion of 'disposability,' with a particular focus on East Asian modernity and its ongoing transformation of emotional and material consumption, along with the residues they leave behind. This also includes examining how these elements are symbolized and commodified in art and popular culture through a microscopic lens.
Through WHITE NOISE and her independent practice, Cho has collaborated with a wide range of international organizations, including Brief Histories, Canal Projects, Frieze Seoul, GYOPO, Hessel Museum, Montez Press Radio, NOISE Istanbul, Space NN in Munich, and Tiger Strikes Asteroid, among others. Their work has been featured in publications such as The Art Newspaper, Artsy, Hyundai Art Lab, The New York Times, and Spike Art Magazine. Recently, Cho served as a guest curator for Untitled Miami 2024, exploring the theme "East Meets West" and received AHL-Chun Family Foundation Curatorial grant. She graduated from the Center for Curatorial Studies at Bard College.
