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A Regular Birthday, 2023, Ink on polyester film, 30 x 40 in. Image description: A finely lined drawing of a window with closed horizontal blinds, framed in black on a pale blue wall, as a person stands at right looking on.
Questions for the Shoulders, 2023, Poplar, 28 x 33.25 x 16.5 in. Image description: A wooden grid of square cells, bent at the middle so one half lies on the concrete floor and the other leans against a concrete wall.
How to Stand Up Straight, 2023, Rusted steel, 15.5 x 15.5 x 1 in each. Image description: Two rusted steel frames with arched tops and angled legs, resembling stylized chair backs, lean against a white wall on a gray floor.
Partly Cloudy, 2024, Image transfer on found tiles, found lumber and brick, bracket and screws, 21 x 19.5 x 3.5 in. Image description: Two pine boards joined at a right angle by a metal bracket frame a grid of gray, black, and cream tiles on the floor, some printed with small images.
Partly Cloudy, 2024, Found lumber and brick, collected leaves from Brooklyn, Baltimore and Seoul, 13 x 16 x 3.5 in. Image description: A pine board and a dark perforated brick meet at a corner on a gray floor, with a small pile of dried yellow, red, and brown leaves gathered inside.
Letters from The Anonymous, 2024, Temporary public art installation. Image description: Two small light-blue dormer windows with white trim poke out of a steep grassy hillside, as if a house were buried beneath the lawn.
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Jung Won’s practice is grounded in the idea that humans resemble objects and vice versa: they are beloved, functioning, fulfilling, malfunctioning, fading, and self-alienating, yet we still desire to contribute to and be a part of what we cherish. Drawing inspiration from urban spaces designed for productivity, Jung Won captures poetic moments in the mundane, such as overlooked street objects and anonymous interactions among strangers. Working with industrial materials, she primarily creates site-responsive sculptures, installations, and drawings. By employing ambiguity, her work questions the relationship between functionality and vulnerability of beings. Patterns, often embodiments of efficiency, transform into motifs of ritual in her practice, manifesting care in her practice.

Jung Won Lee (b. Seoul, Korea) is a sculptor currently based in Brooklyn and Seoul. She celebrates the poetics of vulnerability by creating ambiguous, unreliable objects. Primarily working in sculpture, installation and drawing, her practice aims to build structures for care. Jung Won holds a BFA in General Fine Arts from Maryland Institute College of Art (MICA) and a BA in Media Studies and Korean Language and Literature from Ewha Womans University. Her previous exhibitions include Current Space, Gateway Gallery, Middendorf Gallery, and Sheila & Richard Riggs Gallery in Baltimore, MD. She loves to observe the corners of spaces and one of her daily rituals is to look up at the sky.

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