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Hai-Hsin Huang, The River of Little Happiness #2, 2023, oil on linen: crowded painted scene of tiny figures, cars, and a winding blue river under a red sky.
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International Residency

Hai-Hsin Huang

Image: Hai-Hsin Huang, 'The River of Little Happiness #2', 2023, 80 x 192 in, oil on linen

Hai-Hsin Huang, 'Drifting Feast #1' 2026, 87 x 130 in, oil on linen. Image description: A large pink-toned painting of a long banquet table where women in lingerie pose while photographers crouch and shoot, watched by a crowd behind ropes.
Hai-Hsin Huang, 'The Red Letter Day' 2021, 30 x 24 in, oil on linen. Image description: A painting of a red banquet hall wedding, with guests looking at their phones around a round pink table of dishes while a couple poses under red balloons.
Hai-Hsin Huang, 'The MET #2' 2016, 60 x 90 in, Pencil on paper. Image description: A detailed black-and-white pencil drawing of a crowded museum hall seen from above, with hundreds of tiny visitors around a central planter.
Hai-Hsin Huang, 'Art Basel' 2019, 72 x 192 in, Pencil on paper. Image description: A very wide pencil drawing densely packed with tiny figures, booths, and artworks, seen from above like a sprawling art fair floor.
Hai-Hsin Huang, 'After Art Basel' 2020, 72 x 192 in, Pencil on paper. Image description: A very wide, mostly white pencil drawing of an emptied fair floor scattered with boxes, crates, and small figures around large draped forms.
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Wry, whimsical, and delightfully dark, her narratives capture the eccentric absurdities of modern life.

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Inspired by daily life, Huang captures the awkward and theatrical absurdities of contemporary society through unpretentious lines and humorous compositions. Her whimsical narratives blend child-like innocence with a dark, singular humor, offering a satirical yet palatable mirror to modern anxiety. Highlighting the lightness of a detached generation, she reveals the inherent humor, tragedy, grandeur, and frailty of human existence.


Drawing on the deep feeling of Audre Lorde’s “Uses of the Erotic: The Erotic as Power,” my work explores collaboration, congregation, and conviviality within our entanglement with the natural world. Through these encounters, I imagine reconciliation as an embodied, collective practice.

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Learn more about the Curatorial Fellowship