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Work by Evelyne Leblanc-Roberge: giant cantaloupe-like sphere on a lawn, topped with a small weathered wooden board holding tiny colorful objects.
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International Residency

Evelyne Leblanc-Roberge

An impossible index of clouds, 2022–ongoing, Media: video, photographic prints, performance, snow, garden. Image description: Aerial view of a snowy field where a person in dark clothing kneels beside pale blue photographic prints laid out on the snow, near bare branches and power lines.
As the hour turns blue, 2024, Media: 60-minute video installation with blue walls, airport carpet, bench, book. Image description: Installation view of a deep blue room with patterned gray carpet, a black-cushioned wooden bench, and a wall projection of a snowy, rocky mountain landscape.
An impossible index of clouds, 2022–ongoing, Media: video, photographic prints, computer desktop collage. Image description: A digital collage of overlapping gray desktop windows filled with circular image cutouts showing sky, clouds, hands, and fabric.
As the hour turns blue, 2024, Media: 60-minute single channel video. Image description: A wooden desk with a white keyboard and mouse sits against a white wall, below a black screen reading 01:00:00 and a small pinned photograph.
As the hour turns blue, 2023, Media: Photography, various props, miniature plastic chairs and plant, glass container, volcanic rock, wool. Image description: A large porous volcanic rock sits in a glass container of water with tangled blue, purple, and pink yarn, a tiny potted plant, and miniature white chairs.
Table Book, 2023, Images, texts, waiting rooms. Image description: A hand holds open a book whose spread shows a bare waiting room with three red chairs against a pale wall, a potted plant, and a closed door.
As the hour turns blue, 2024, 60-minute single channel video. Image description: Close-up video still of a netted cantaloupe on sunlit grass, with an inset image of small objects arranged on weathered wooden boards.
An impossible index of clouds, 2022–ongoing, Wall, video, photographic prints, computer desktop collage. Image description: Prints arranged on a white wall around a large pale lavender circle, including leaves, folded gray paper, crumpled foil, and a small dark starry image.
As the hours turn blue, 2024, 60-minute single channel video. Image description: Black porous volcanic rocks of various sizes, smooth gray stones, and a small feather sit on a white surface before propped-up photographs.
An impossible index of clouds, 2022–ongoing, Window, video, water, confetti, computer, paper, projector. Image description: The top of a weathered white brick building against a deep blue dusk sky, with one window glowing pale blue-green and a railing on the roof.
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At the center of Leblanc-Roberge’s art practice are images – taken with a camera, printed, projected, bound as a book, sent by mail, screenshotted, wrapped around objects, or carefully placed in a room. How we relate to and occupy the built structures and landscapes we live in are core questions in Leblanc-Roberge’s projects. In her work she plays with trompe l’oeil and camouflage techniques, double-takes and shifting point of views as a method for making the experience of the work an activity in which the whole body is involved. Her most recent book “Table Book” and film “As the hour turns blue” stem from an extensive research project about waiting and waiting rooms, weaving together personal narratives, fictions, documents, and coincidences.

Evelyne Leblanc-Roberge grew up in a small francophone coastal village in eastern Canada. She completed her BFA in photography at Concordia University (Montreal, Canada) and her MFA in electronic integrated arts at Alfred University (Alfred, New York). She has received multiple grants from Canada Council for the Arts and participated in artist-in-residence programs across continents, including Visual Studies Workshop (Rochester, New York), La Cité Internationale des Arts (Paris, France), AIR 3331 Arts Chiyoda (Tokyo, Japan), SIM (Reykjavik, Iceland), and Arteles (Haukijärvi, Finland) where she produced multifaceted projects published as books, videos, zines, exhibitions, performances, and/or ephemeral installations. She is currently an Associate Professor of Art and Lens Based Media at the University of Rochester.

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