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Work by Christine Rebhuhn: small white sculpture on a blue wrestling-style mat with a white circle, on a wood floor in a white room.
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Exhibition

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International Residency

Christine Rebhuhn

Work by Christine Rebhuhn: polished metal cafeteria-style tray mounted on a white wall, folded out on two hinged arms.
Work by Christine Rebhuhn: small white sculpture on a blue wrestling-style mat with a white circle, on a wood floor in a white room.
Work by Christine Rebhuhn: gallery with wood floors, a small metal bracket piece on the far wall and a white sculpture on a blue wrestling-mat-style floor.
Work by Christine Rebhuhn: white molded panel with rounded recesses and a slot, leaning against a white wall on a wood floor.
Work by Christine Rebhuhn: green poker-style table with stacks of chips and white and black stools, with a white molded panel leaning on the wall behind.
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Christine Rebhuhn's recent work examines objects with a sharp observation of visual overlap, and a sensibility for humor. She searches for an uncanny juncture where mundane objects iterate each other formally – like visual poetry, with a dry layer of deadpan comedy. These ideas develop sculpturally, often in a ridiculous way.

Christine Rebhuhn received a BA from Kalamazoo College in 2011, and an MFA from Cranbrook Academy of Art in 2015. She recently participated in residencies at the Vermont Studio Center and Makeshift. Her work has been shown at Silvermine Gallery, Cranbrook Art Museum, and in the Gyeonggi International Ceramic Biennale in Korea. She is represented in the permanent collection of the Korean Ceramic Foundation.

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