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Work by Christina Freeman: An installation in a white gallery space. small shelves of colorful objects float against the wall. a blue neon sign reads "Ultraviolet Archive," and a visitor sits at a small purple and blue table.
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International Residency

Christina Freeman

Work by Christina Freeman: visitors sit in small groups at round tables in a white gallery, beneath a neon sign reading "Ultraviolet Archive."
Work by Christina Freeman: blue neon sign reading "Ultraviolet Archive" glowing against a black background.
Work by Christina Freeman: gallery with round purple-topped tables and clear folding chairs, small shelves of books on the wall, and a blue neon "Ultraviolet Archive" sign.
Work by Christina Freeman: reading area with shelves of books and zines, a round table, and stools, beside a white wall with a purple neon sign.
Work by Christina Freeman: An installation in a white gallery space. small shelves of colorful objects float against the wall. a blue neon sign reads "Ultraviolet Archive," and a visitor sits at a small purple and blue table.
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UltraViolet Archive (2018-2024) is a nomadic collection of endangered creative works—including films, music, literature, visual and performing arts—that were banned, challenged, or physically attacked. The installation includes a neon sign, bookshelves, film screening room, computer station, and a seating area for the public to spend time with the collection. By interrupting cultural norms such as censorship, data harvesting, and capitalism, she invites the audience to critically examine the institutions that hold and reinforce power.

Christina Freeman (she/her) is an artist and curator based in New York City. Her participatory installation, UltraViolet Archive was exhibited in the Queens International 2018: Volumes (Queens Museum, 2018-2019), with mentions in Artforum and Vulture. This traveling installation was also commissioned for Creative Time Summit X (Cooper Union, 2019) and featured on Governors Island (Flux Factory, 2022). In 2024 Freeman will participate in Bronx Calling: The Sixth AIM Biennial at The Bronx Museum of the Arts. Freeman’s projects have also received support from Culture Push (2018-2019), ARoS Public (Aros, Denmark 2018), Danish Arts Foundation (2018), and SOMA (Mexico City 2012). Freeman teaches at Hunter College, CUNY for the Department of Art & Art History and the Department of Film & Media.

Christina Freeman's residency at NARS is made possible by The Professional Staff Congress CUNY.

Professional Staff Congress CUNY logo: white serif letters PSC on a red rectangle above the word CUNY in red.

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