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Work by Ayelet Amrani Navon: a circular rack of white shirts above black pleated fabric, lit against a dark blue wall.
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International Residency

Ayelet Amrani Navon

Work by Ayelet Amrani Navon: a figure wrapped head to foot in a shiny gold foil blanket against a pale gray backdrop.
Work by Ayelet Amrani Navon: white gallery with an oval conveyor belt of blue slats and white shoes, an angled wood ramp, and airport-style chairs.
Work by Ayelet Amrani Navon: a seated person in a pale tunic wrapping a cloth strip around a leg inside billowing white fabric curtains.
Work by Ayelet Amrani Navon: a cream fabric cone hanging from the ceiling over a pale wooden platform with white stones, in a gray room.
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Ayelet Amrani Navon explores themes of transience and intimacy. Contemplating what it means to be human, in a human body, and what it means to encounter another.

By means of painting, sculpture, and installation, Amrani Navon constructs environments that contain “a place to meet” where human connection can be amplified. This meeting place is the site of her one-to-one performances through which she attempts to achieve a meaningful encounter with a participant, an “accelerated friendship”. The performance consists of rituals based on sensory stimulation, talk, and principles of psychoanalytic theory.

Growing up questioning the idea of attachment to land, alongside a perpetual search for a “place”, she explores forms of belonging and intimacy in circumstances of transition, perpetual migration, and change.

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Ayelet Amrani Navon is a visual artist focusing in painting, sculpture, installation and one-to-one performance. Amrani Navon attended Basis School of Art, Israel (Top Honors Graduate) and the Tel-Aviv Institute of Contemporary Psychoanalysis’ Interdisciplinary Program. She holds an LLB from Tel-Aviv University Law School and was a Bar member in NY, California and Israel.

Her work has been exhibited at the MUZA Eretz Israel Museum, the Tel-Aviv Biennale of Crafts and Design, The Umm el-Fahem Museum of Art, Israel, and Saatchi Gallery, London. The work has also been featured in the Jerusalem Post and in other publications and anthologies.

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