Artist Statement/ Biography

In my practice, I create wearable fiber-based art which I have termed; “Conceptual Couture”. I apply an artistic approach to cerebral subjects by reshaping the context of objects to express my intended narrative; one which shifts with each work but is often rooted in introspection connected to interpreting “art” This textile sculpture is often constructed in conjunction with repurposed objects such as synthetic hair, cutlery, mirrors, gloves and popsicle sticks. I am interested in diffusing the boundaries between fashion, technology and “traditional” art. By incorporating robotics and utilizing unconventional form, Aesthetically, my practice has become incorporated into the conversation around the contemporary Futurism/Afro-Futurism based art movement. I refer to concepts in science and contemporary art within my fashion-based practice.

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Nana YaaSerwaah Akuoku is a NYC based WearableArt Designer and visual-Artist of Ghanaian heritage and American nationality. Akuoku, is a two time Alumna of the Fashion Institute of Technology and is acknowledged for her conceptual wearables that obscure boundaries between “traditional” art, fashion and technology. The uniqueness of Akuoku's practice is in conceptualizing innovative methodologies of approaching fashion design by removing preconceived notions of what objects and their uses are and in doing so, reshaping their context to express narratives related to identity, introspection and culture. Akuoku is recipient of the Wassaic Project's Winter 2019 Teaching Fellowship. Her works are currently on view at NORDSTORM NYC as part of the Fashion film installation presented by artist Diane Smith. Past installations include the Ghana Tech Summit and The Black Gala at the Accra Science and Technology Museum. Her designers have been highlighted by Allure, Essence, and New York Times Style. Her work "Rapunzel" was worn by the opening performer of the prestigious “Wearable-Art-Gala”; Headed by philanthropist and Beyoncé’s mother; Ms.Tina Knowles-Lawson.